{"version":"1.0","provider_name":"Filarmonica UNINTER","provider_url":"https:\/\/blogs.uninter.edu.mx\/Filarmonica","author_name":"cvelazquezdifcult","author_url":"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/author\/cvelazquezdifcult\/","title":"Chopin y la m\u00fasica de sal\u00f3n - Filarmonica UNINTER","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"VehJiAY8Wl\"><a href=\"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2014\/09\/08\/chopin-y-la-musica-de-salon\/\">Chopin y la m\u00fasica de sal\u00f3n<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2014\/09\/08\/chopin-y-la-musica-de-salon\/embed\/#?secret=VehJiAY8Wl\" width=\"600\" height=\"338\" title=\"&#8220;Chopin y la m\u00fasica de sal\u00f3n&#8221; &#8212; Filarmonica UNINTER\" data-secret=\"VehJiAY8Wl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":null,"thumbnail_width":null,"thumbnail_height":null,"description":"Ciclo: Ricardo Castro y sus influencias. DIRECTOR:\u00a0L\u00e1zaro Azar Una sesi\u00f3n dedicada al pianista y compositor mexicano Ricardo Castro (1864-1907) autor del c\u00e9lebre vals\u00a0Capricho. Influido por compositores como Chopin, en su obra se presenta el romanticismo en M\u00e9xico pero tambi\u00e9n el paso al impresionismo. Una sesi\u00f3n para conocer los or\u00edgenes de la m\u00fasica de un compositor&hellip;"}