{"version":"1.0","provider_name":"Filarmonica UNINTER","provider_url":"https:\/\/blogs.uninter.edu.mx\/Filarmonica","author_name":"luzgalvez","author_url":"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/author\/luzgalvez\/","title":"De la escena al Juzgado - Filarmonica UNINTER","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"LgWG6mxJUr\"><a href=\"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2020\/07\/14\/de-la-escena-al-juzgado\/\">De la escena al Juzgado<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2020\/07\/14\/de-la-escena-al-juzgado\/embed\/#?secret=LgWG6mxJUr\" width=\"600\" height=\"338\" title=\"&#8220;De la escena al Juzgado&#8221; &#8212; Filarmonica UNINTER\" data-secret=\"LgWG6mxJUr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":null,"thumbnail_width":null,"thumbnail_height":null,"description":"Cuando se estren\u00f3\u00a0La diosa del placer,\u00a0revista en un acto escrita por Luis de Larra y Manuel Fern\u00e1ndez de la Puente, con m\u00fasica de Rafael Calleja, en febrero de 1907, fue prohibida por el Marqu\u00e9s de Vadillo, entonces gobernador de Madrid, al ser considerada escandalosa.\u00a0 Las tiples protagonistas, Pepita Sevilla, Elvira Lafont, Ascensi\u00f3n M\u00e9ndez y Antonia&hellip;"}