{"id":4520,"date":"2018-06-02T12:40:06","date_gmt":"2018-06-02T17:40:06","guid":{"rendered":"http:\/\/filarmonicadecuernavaca.com\/?p=4520"},"modified":"2018-06-02T12:40:06","modified_gmt":"2018-06-02T17:40:06","slug":"cartela-musical-en-el-palacio-de-bellas-artes","status":"publish","type":"post","link":"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2018\/06\/02\/cartela-musical-en-el-palacio-de-bellas-artes\/","title":{"rendered":"CARTELA MUSICAL EN EL PALACIO DE BELLAS ARTES"},"content":{"rendered":"

La m\u00fasica de c\u00e1mara se distingue de otros estilos gracias a que est\u00e1 compuesta para un grupo reducido de int\u00e9rpretes que oscila entre los dos y doce, en oposici\u00f3n a la m\u00fasica de orquesta. Su nombre proviene de los lugares, denominados c\u00e1maras, en los que se ensayaba y ejecutaba, especialmente para la clase alta europea durante la Edad Media y el Renacimiento.
\nPosteriormente adquiri\u00f3 relevancia y su difusi\u00f3n alcanz\u00f3 salas de concierto y casas particulares, gracias adem\u00e1s a que esa pr\u00e1ctica era mucho m\u00e1s rentable.
\nLo que distingue este estilo es, por un lado, que cada m\u00fasico toca una parte distinta de la pieza, y por otro, que no se necesita de un director para guiar la interpretaci\u00f3n, ya que la posici\u00f3n en que se sit\u00faa cada instrumento permite que los m\u00fasicos se vean entre s\u00ed y logren una buena coordinaci\u00f3n.<\/p>\n

CONSULTA LAS ACTIVIDADES<\/h2>\n
\n
<\/div>\n
Quinteto de Alientos de Bellas Artes<\/p>\n
viernes 01 de junio, 18:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n
<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Ensamble Consortium Sonorus<\/p>\n
s\u00e1bado 02 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)
\nEntrada libre con boleto de control de acceso<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Victoria Horti, viol\u00edn | \u00c1gueda Gonz\u00e1lez, clavec\u00edn<\/p>\n
s\u00e1bado 02 de junio, 17:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Quinteto de Alientos de Bellas Artes<\/p>\n
domingo 03 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Ensamble Consortium Sonorus<\/p>\n
viernes 08 de junio, 18:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
PRESENCIA DEL CONSERVATORIO NACIONAL DE M\u00daSICA GUITAR D\u00daO<\/p>\n
s\u00e1bado 09 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
TRAMA<\/p>\n
s\u00e1bado 09 de junio, 17:00 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Ignacio Mariscal, violonchelo | Mauricio N\u00e1der, piano<\/p>\n
domingo 10 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Cuarteto Ruvalcaba<\/p>\n
domingo 10 de junio, 17:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Guillermina Gallardo, mezzosoprano | J\u00f3zef Olechowski, piano<\/p>\n
s\u00e1bado 16 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Carlos Egry, viol\u00edn | Arturo Uruchurtu, piano<\/p>\n
domingo 17 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Ensamble CEPROMUSIC, concierto de temporada<\/p>\n
domingo 17 de junio, 17:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n
Programa a prop\u00f3sito de los 75 a\u00f1os del compositor Brian Ferneyhough<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Rosa Mar\u00eda Diez, soprano | Enrique B\u00e1rcena, piano<\/p>\n
s\u00e1bado 23 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Ensamble Vissi d\u2019arte<\/p>\n
s\u00e1bado 23 de junio, 17:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Sergio Meneses, bajo | Raquel Waller, piano<\/p>\n
domingo 24 de junio, 17:00 h
\nPalacio de Bellas Artes – Sala Manuel M. Ponce<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
, soprano | Encarnaci\u00f3n V\u00e1zquez, mezzosoprano | J\u00f3zef Olechowski, piano<\/p>\n
s\u00e1bado 30 de junio, 11:30 h
\nMuseo Nacional de Arte (Munal)<\/div>\n
Entrada libre con boleto de control de acceso<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n
Presencia Del Conservatorio Nacional De M\u00fasica<\/p>\n
s\u00e1bado 30 de junio, 17:00 h
\nPalacio de Bellas Artes<\/div>\n
<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

La m\u00fasica de c\u00e1mara se distingue de otros estilos gracias a que est\u00e1 compuesta para un grupo reducido de int\u00e9rpretes que oscila entre los dos y doce, en oposici\u00f3n a la m\u00fasica de orquesta. Su nombre proviene de los lugares, denominados c\u00e1maras, en los que se ensayaba y ejecutaba, especialmente para la clase alta europea…<\/p>\n","protected":false},"author":4,"featured_media":4521,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[12,5],"tags":[],"class_list":["post-4520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-eventos"],"jetpack_publicize_connections":[],"yoast_head":"\r\nCARTELA MUSICAL EN EL PALACIO DE BELLAS ARTES - Filarmonica UNINTER<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2018\/06\/02\/cartela-musical-en-el-palacio-de-bellas-artes\/\" \/>\r\n<meta property=\"og:locale\" content=\"es_MX\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"CARTELA MUSICAL EN EL PALACIO DE BELLAS ARTES - Filarmonica UNINTER\" \/>\r\n<meta property=\"og:description\" content=\"La m\u00fasica de c\u00e1mara se distingue de otros estilos gracias a que est\u00e1 compuesta para un grupo reducido de int\u00e9rpretes que oscila entre los dos y doce, en oposici\u00f3n a la m\u00fasica de orquesta. 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