{"id":4698,"date":"2019-08-19T16:23:34","date_gmt":"2019-08-19T21:23:34","guid":{"rendered":"http:\/\/filarmonicadecuernavaca.com\/?p=4698"},"modified":"2019-08-19T16:23:34","modified_gmt":"2019-08-19T21:23:34","slug":"musica-barroca","status":"publish","type":"post","link":"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2019\/08\/19\/musica-barroca\/","title":{"rendered":"M\u00fasica Barroca"},"content":{"rendered":"<p><strong>La caracter\u00edstica principal de la m\u00fasica barroca (de 1600 a 1750)\u00a0es el contraste<\/strong>: se busca la oposici\u00f3n en el ritmo, en los matices, en la sonoridad, en los instrumentos, etc. Adem\u00e1s, en esta \u00e9poca surge la orquesta (que de momento es aun peque\u00f1a) con instrumentos agrupados por familias: cuerda, viento y a veces percusi\u00f3n.<\/p>\n<p><strong>Friedrich Haendel es uno de los m\u00e1s importantes compositores de m\u00fasica cl\u00e1sica de esta etapa.\u00a0<\/strong>Alem\u00e1n nacionalizado ingl\u00e9s, Haendel comienza escribiendo \u00f3peras en italiano, sin \u00e9xito. Sin embargo, se da cuenta de que en ingl\u00e9s s\u00ed que funcionan, as\u00ed que dedica su carrera a obras instrumentales y vocales en este idioma. Pon\u00eda m\u00fasica a los grandes eventos de la corte, por ejemplo la\u00a0<em>M\u00fasica acu\u00e1tica<\/em>, compuesta para los paseos en barco por el T\u00e1mesis del rey\u00a0<strong>Jorge I<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4700\" src=\"https:\/\/filarmonicadecuernavaca.com\/wp-content\/uploads\/2019\/08\/compositores-de-musica-clasica-haendel.jpg\" alt=\"Compositores-de-musica-clasica-Haendel\" width=\"280\" height=\"350\" \/><\/p>\n<p>Su obra m\u00e1s famosa es\u00a0<em>El Mes\u00edas<\/em>, una de las piezas\u00a0fundamentales de la m\u00fasica sacra de todos los tiempos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La caracter\u00edstica principal de la m\u00fasica barroca (de 1600 a 1750)\u00a0es el contraste: se busca la oposici\u00f3n en el ritmo, en los matices, en la sonoridad, en los instrumentos, etc. Adem\u00e1s, en esta \u00e9poca surge la orquesta (que de momento es aun peque\u00f1a) con instrumentos agrupados por familias: cuerda, viento y a veces percusi\u00f3n. Friedrich&hellip;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"class_list":["post-4698","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\r\n<title>M\u00fasica Barroca - Filarmonica UNINTER<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/blogs.uninter.edu.mx\/Filarmonica\/index.php\/2019\/08\/19\/musica-barroca\/\" \/>\r\n<meta property=\"og:locale\" content=\"es_MX\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"M\u00fasica Barroca - Filarmonica UNINTER\" \/>\r\n<meta property=\"og:description\" content=\"La caracter\u00edstica principal de la m\u00fasica barroca (de 1600 a 1750)\u00a0es el contraste: se busca la oposici\u00f3n en el ritmo, en los matices, en la sonoridad, en los instrumentos, etc. Adem\u00e1s, en esta \u00e9poca surge la orquesta (que de momento es aun peque\u00f1a) con instrumentos agrupados por familias: cuerda, viento y a veces percusi\u00f3n. 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