{"id":2100,"date":"2013-10-05T04:43:18","date_gmt":"2013-10-05T04:43:18","guid":{"rendered":"http:\/\/difusionculturaluninter.wordpress.com\/?p=2100"},"modified":"2013-10-05T04:43:18","modified_gmt":"2013-10-05T04:43:18","slug":"una-mirada-a-orozco-el-poeta-de-la-violencia","status":"publish","type":"post","link":"https:\/\/blogs.uninter.edu.mx\/difusioncultural\/?p=2100","title":{"rendered":"Una mirada a Orozco, el poeta de la violencia"},"content":{"rendered":"

Para Eduardo Subirats, Jos\u00e9 Clemente Orozco representa el ejemplo de lo que es un artista. Afirma que el pintor jalisciense fue un intelectual clarividente, un hombre que expres\u00f3 sus ideas sin miedos. Al que no le import\u00f3 si su quehacer molestaba a los dem\u00e1s, y cuya obra sigue vigente, pues en ella se reconoce una realidad profunda de M\u00e9xico y del mundo.<\/p>\n

Este s\u00e1bado (hoy), a las 10:30, Subirats, acompa\u00f1ado del poeta Ernesto Lumbreras, encabezar\u00e1 un recorrido guiado por los murales de Jos\u00e9 Clemente Orozco. La actividad forma parte de las actividades del Foro Nacional Violencia y Arte, que concluir\u00e1 ma\u00f1ana, aunque del 7 al 11, como parte de las actividades, se realizar\u00e1 un seminario con Germ\u00e1n Venegas. <\/p>\n

En la Capilla Mayor del Caba\u00f1as est\u00e1n 57 frescos del muralista mexicano, mismos que fueron realizados de 1938 a 1939, de acuerdo con informaci\u00f3n obtenida del sitio de internet del instituto. Adem\u00e1s, el Caba\u00f1as es el depositario de la mayor colecci\u00f3n de obra en soporte de papel del jalisciense, fallecido en 1949. <\/p>\n

\u201cYo suger\u00ed que se hiciera, en este contexto del Foro Nacional Violencia y Arte, un homenaje a Orozco, porque es un paradigma de artista. Fue un intelectual clarividente. Un hombre que no tuvo miedo de expresar las cosas tal como \u00e9l las ve\u00eda\u201d, advierte Subirats.<\/p>\n

El espa\u00f1ol explica que los murales de Orozco, uno de los artistas pl\u00e1sticos mexicanos m\u00e1s importantes y representativos del siglo XX, se aglutinan en una composici\u00f3n que se divide en dos partes:<\/p>\n

\u201cEn el techo, en las b\u00f3vedas, se narra a la madre de la violencia del poder en Am\u00e9rica Latina. Es Hern\u00e1n Cort\u00e9s asesinando a un indio que est\u00e1 de bruces a sus pies. Un misionero clavando la cruz en un indio ex\u00e1nime que tambi\u00e9n est\u00e1 a sus pies; y el caballo del gachup\u00edn conquistador que representa la mitad como caballo, y la otra mitad como m\u00e1quina de guerra moderna. Y abajo, est\u00e1n las estampas, las visiones de la organizaci\u00f3n totalitaria de la sociedad en el mundo contempor\u00e1neo: l\u00edderes corruptos, masas militarizadas, campos de concentraci\u00f3n. M\u00e1s claro, agua\u201d. <\/p>\n

El ensayista destaca que Orozco es el poeta de la violencia destructiva de la civilizaci\u00f3n moderna, y enfatiza que la obra que dej\u00f3 en el antiguo Hospicio Caba\u00f1as (hoy Instituto Cultural, y Patrimonio de la Humanidad) merece ser reconocida a nivel internacional, y no s\u00f3lo a escala nacional.<\/p>\n

TOMA NOTA
\nAsiste<\/p>\n

Foro Nacional de Violencia y Arte<\/p>\n

Recorrido por los murales de Orozco, guiados por Ernesto Lumbreras y Eduardo Subirats \/ Instituto Cultural Caba\u00f1as \/ 10:30 horas.<\/p>\n

Conferencia magistral de Eduardo Subirats \/ Foro del Laboratorio de Arte Variedades (Larva) \/ 19:00 horas<\/p>\n

\"orozco\"<\/a><\/p>\n

\"2465914118_a2e7694093_z\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Para Eduardo Subirats, Jos\u00e9 Clemente Orozco representa el ejemplo de lo que es un artista. Afirma que el pintor jalisciense fue un intelectual clarividente, un hombre que expres\u00f3 sus ideas sin miedos. Al que no le import\u00f3 si su quehacer molestaba a los dem\u00e1s, y cuya obra sigue vigente, pues en ella se reconoce una…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-2100","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"yoast_head":"\r\nUna mirada a Orozco, el poeta de la violencia - Difusi\u00f3n Cultural<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/blogs.uninter.edu.mx\/difusioncultural\/?p=2100\" \/>\r\n<meta property=\"og:locale\" content=\"es_MX\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"Una mirada a Orozco, el poeta de la violencia - Difusi\u00f3n Cultural\" \/>\r\n<meta property=\"og:description\" content=\"Para Eduardo Subirats, Jos\u00e9 Clemente Orozco representa el ejemplo de lo que es un artista. 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